Michael Jackson encyclopedia : albums, career and kids: On the whole, Michael feels rather dull. Vocally, he’s on target the majority of the time, with the exception of the still manufactured-sounding, “Breaking News”, but musically it’s far from impressive. So many of the beats sound so derivative that it lacks any evolution, which is what Jackson was always about. Look at the transition between Off the Wall and Thriller, or better yet, Bad to Dangerous. He went from disco to ’80s synth, from hair metal aesthetics to New jack swing. What’s more, he always surrounded himself with the most top notch, key players in any industry. Do you think it was by chance that Jackson hired the likes of Macaulay Culkin or Michael Jordan for his videos? Remember, it was the early ’90s, those guys were just as much royalty as he was. The same went for Slash, or Eddie Van Halen, or Martin Scorcese, or Teddy Riley. That’s what’s missing on Michael.
But the biggest surprise of all may be the two tracks from 1997’s completely ignored Blood on the Dance Floor remix/mixed bag, the proto-Lady Gaga theater of “Blood on the Dance Floor” and the nearly P.E.-discordant “Ghosts” injected with new life in such A-list company. The consistent click of the new jack-inspired funk rhythms and total lack of ballads really do add up to a decent Halloween party with a consistent feel and steely momentum. Absurd as the package and its very existence are, it’s not misbegotten; you can hear the function it serves and the holiday conceit makes it fairly possible to imagine someone picking it up at Wal-Mart at the last minute along with their candy and decorations rather than going to the trouble to sort out a playlist. The bar for this sort of cash-grab is low enough that Scream clears it rather easily. It is in fact a scream, and it makes a case to revisit Jackson’s lesser works even as it cherry-picks from them. That’s almost enough to recommend plunking down cash for it. Almost.
An important reason for writing this trilogy is that I want the world to know that I am not obsessed with my blood tie to Michael Jackson. I also want to make clear that I fully understand how difficult it must be for thousands of fans to accept that I am his daughter. With my books, I hope to present the possibility that he started to show odd behavior because he had had a secret daughter from the age of seventeen – not an easy situation for someone like him! For me, I have let go of all the pain and remember only the good things about him. He is gone, and he was truly a gift from god. I feel sorry for Michael Jackson because he had a bad life. R.I P., I love you always. Thank you for what you have taught me about life. Find extra information on Mocienne Petit Jackson – Michael Jackson’s Daughter.
Still, it seems there is no respect or understanding that he could have been a part of my life, because he is the illusionist Michael Jackson and the King of Pop. What do people know about that? Is there proof he was not? It is easy to talk bad about a person you do not know. Because, after all, it is about Michael Jackson.
Bad (1987): And now, we get to the heavy hitters. Bad is one of the defining albums of my childhood – one of my earliest memories is “proving” to my parents that I knew every word of the title track by singing it at the dinner table. Equal parts rock, pop and soul, Bad may have suffered from the Thriller curse in the 80s – pundits recognized it was good, but not AS GOOD as one of the best albums ever made, always an unfair criticism – but the album’s cavalcade of hits, and its influence on pop and R&B at the time, cannot be denied. Bad may not have aged as well as some of MJ’s other top-shelf releases but that doesn’t make it any less groundbreaking. Forgotten Favorites: “Speed Demon,” “Just Good Friends,” “Another Part of Me”.
