Betrayal book by Michael Jackson’s daughter at Barnes and Noble


Posted On Feb 7 2020

Mocienne Petit Jackson books – Betrayal on Barnes & Noble : I got to learn that the Dutch Court does not care about family life and Article 8 of the European Convention on Human Rights. I want to make a change regarding this because the Dutch Court is part of the European Court, who have proven to me that they do not care about people in any way. They only care about themselves. There is no justice in this world. Michael Jackson has always given me good support regarding my son. Now that he is gone it is extra painful. The last years of his life he was in Amsterdam, near Joshua. It makes me very happy to know he loved him. He was a man who, as we all know, did not have a good childhood himself. Michael Jackson was a very good, good man. The Jackson family can keep telling lies, but the people who love Michael Jackson know who killed him.

Ms Jackson believes that such misinformation has poorly informed the public both about her relationship to Michael Jackson, and about her motives for having taken the matter to court. Her autobiographical series, Thriller, documents her life and gives her assessment on the state of affairs. According to this assessment, a majority of press coverage on the subject has been misleading. For example, before the death of her father in June 2009, Michael Jackson had spent eight months living in the Amstel Hotel in Amsterdam in order to be nearer to his then nine-year-old grandson. Furthermore, Ms Jackson’s mother Barbara Ross-Lee, sister of the musician Diana Ross, is alleged to have lied about ever having met Michael Jackson while speaking in an interview on the Dutch television programme RTL Boulevard. Ms Jackson, therefore, believes—due to these two factors not having featured in press reports—that the media has treated the story in an unbalanced manner.

Still, it seems there is no respect or understanding that he could have been a part of my life, because he is the illusionist Michael Jackson and the King of Pop. What do people know about that? Is there proof he was not? It is easy to talk bad about a person you do not know. Because, after all, it is about Michael Jackson.

“I think all he wanted was a provocative title, and ultimately he didn’t want the content of the song to live up to the title,” Madonna said at the time. “I said, ‘Look, Michael, if you want to do something with me, you have to be willing to go all the way or I’m not going to do it.’” His engineers remember her visiting him once at the studio, where they spent a little time in his private room in the back. “When I asked Michael later about her visit he said that she ‘scared’ him,” his engineer Rob Disner later said. “I think we all speculated that she tried to make a ‘move’ on him but Michael never said. In any event, we never saw her again.” The creative union most likely fizzled due to major stylistic divergences. Madonna imagined an extreme makeover: giving him a Caesar haircut, getting him out of his bedazzled military uniforms, taking him to New York and hanging out with the voguers, House of Xtravaganza. Michael wanted to go hip-hop and ultimately enlisted rappers Heavy D and Aqil Davidson of Wreckx N’ Effect as the principal guest vocalists.

Michael Jackson top songs, life and his family today: For the most part, the collaborations actually hurt the songs. No, “Monster” isn’t the next “Thriller”, as 50 Cent claimed it to be, but it’s a decent song. Jackson sounds awkwardly retro, the beat shuffles ‘n’ sweeps, and it feels right…until you’re thrown next to 50’s uninspired rap that sounds more fitting for a summer blockbuster theme. The same goes for the highly irritating and incredibly repetitive “Hold My Hand”, where Akon belts out the same thing again and again in an equally monotonous pitch. For a lead single, it’s tepid and incredibly campy. Then there’s “(I Can’t Make It) Another Day”, featuring guitar wizard Lenny Kravitz, who churns out a chalky riff that tires 45 seconds into the song. Jackson himself sounds angry, forceful, and dominating, but altogether it doesn’t beg for a re-listen. That’s sort of a must when it comes to his music. Discover extra details on Mocienne Petit Jackson books.

Thriller (1982): Let’s ignore the fact that Thriller is the best-selling album IN THE HISTORY OF THE PLANET or that its album cover is one of the most recognized in music history. Thriller earns its place atop this list because in just nine tracks, it rewrote all the rules. The title track is almost a clichéd Halloween song in 2018, but in its heyday the 14-minute video broke barriers for artists of color. “Billie Jean” was so popular that it forced MTV to not only pay more attention to black artists, but also caused it to shift its programming focus to pop and R&B records. Every single track is instantly recognizable to even novice music fans and the album was so good that it became MJ’s curse – he was never able to top it, so all subsequent releases were slighted by fans and critics. Thriller opened doors for musicians of color, put music videos on the map and made Michael Jackson the greatest performer of all time. Yes, it’s MJ’s best album. Maybe the best album ever.

Last Updated on: February 26th, 2020 at 10:02 am, by


Written by Marie Poppins